One Evening. Downtown Fort Myers. One Image That Makes You Feel Something. Street photography is the most honest form of the art. No hired model. No studio lights. No second chances. Just you, a camera, and the city — and the question of whether you can see what's actually there before it disappears.

WHAT THIS WORKSHOP IS This is a 3.5-hour evening workshop held at the Sidney & Berne Davis Art Center in the heart of downtown Fort Myers. It's designed for anyone who has ever felt the impulse to raise their camera at something happening right in front of them — and then hesitated. We start inside SBDAC with a talk that covers the giants of the genre (Cartier-Bresson, Robert Frank, Helen Levitt), the visual skills that create compelling street images, and one of the most important conversations in photography: the difference between what's legal and what's ethical when you point a camera at a stranger. Then we step out the front door. For 90 minutes you'll walk a curated route through downtown Fort Myers during golden hour, and I'll be right there with you — not lecturing, just coaching in the moment. We close back at SBDAC by looking at what we made together.

A NOTE FROM KEVIN I'll be honest with you upfront: I'm a commercial photographer. Product photography. Controlled environments, planned shoots, clients who hired me. I don't do street photography myself — and one of the reasons is this: I always ask whether I'd want someone pointing a camera at me without asking. The answer is no.

I think that discomfort is exactly the right place to start. Because anyone who picks up a camera on the street and feels zero hesitation probably isn't thinking hard enough about what they're doing. The fact that you came here means you already take it seriously. That matters. And tonight, we're going to work with that.

WHO THIS IS FOR All skill levels. You can shoot on a dedicated camera or your phone — phones are legitimate creative tools used by professional photographers every single day, and on the street, they're invisible. That's an advantage, not a limitation. No prior experience with street photography is required. Curiosity is.

WHAT YOU'LL WALK AWAY WITH A practical framework for composition, light awareness, and in-the-moment decision-making. A clear understanding of your legal rights and your ethical responsibilities as a photographer in public spaces. Confidence that your first hesitation was the right one — and that you pushed through it anyway. And if the evening goes the way it usually does, at least one image you didn't expect to make.

WORKSHOP DETAILS Date:  Wednesday, June 4, 2026 Time:  6:00 PM – 9:30 PM Location:  Sidney & Berne Davis Art Center  |  2301 First St, Fort Myers, FL 33901 Price:  $60 per person Skill Level:  All levels welcome — phone photographers encouraged Space:  Limited to 15 participants

Registration is handled through SBDAC. Visit sbdac.com to reserve your spot. Questions? Reach out at info@insightimagestudio.com.

In Partnership with Sidney & Berne Davis Art Center

Street and Documentary Photography

The city never truly goes dark. After sunset, neon signs pulse against wet pavement, streams of headlights become rivers of light, and the shadows between streetlamps grow deep enough to swallow a story whole. Neon Noir is a three-hour evening workshop that teaches you to see that world — and photograph it with intention.

Rooted in the cinematic tradition of Brassäï, whose iconic Paris de Nuit transformed nocturnal city streets into works of art, this workshop blends the historical aesthetics of Neo-Noir photography with hands-on technical training. You will leave not just knowing the settings — you will understand why those settings work, and you will have real images on your card to prove it.

The workshop moves from classroom to street and back again. The first hour demystifies night photography: how to read a histogram in darkness, why exposing to the right matters more at night than any other time, how to manually focus when your autofocus hunts and misses. Then you take it outside. Under the evening sky of Fort Myers, you will chase light trails from passing traffic, work with shadows to build mood, and discover that the city after dark is one of the most generous subjects a camera can have. The final session brings everyone back inside to review the night's work, discuss what succeeded, and get an introduction to the post-processing techniques that turn a strong raw file into a finished image.

•	The Neo-Noir aesthetic — using shadow and contrast as storytelling tools, not just technical challenges to overcome •	How to read your histogram in darkness: the single most important skill for consistent night exposures •	Manual focus in low light using the Live View zoom method — essential when autofocus fails •	Exposure science for night shooting: ISO management, aperture choices, and shutter speed strategy •	"Dragging the shutter" to capture cinematic light trails from moving vehicles •	The 500 Rule and NPF Rule for sharp results over long exposures •	How to neutralize urban light pollution using natural night filters •	Introduction to post-processing: exposure blending and noise reduction workflow •	The legacy of great night photographers — Brassäï, Michael Kenna — and how their vision informs yours today

•	DSLR or mirrorless camera with manual mode capability (required) •	Sturdy tripod — essential for any long-exposure night work •	Wide-angle to standard zoom (16–35mm ideal; fast prime f/1.4–f/2.8 is a bonus) •	Remote shutter release or plan to use your camera's 2-second self-timer •	At least two fully charged batteries — cold air and long exposures drain power quickly •	Extra memory cards •	Comfortable walking shoes for the evening photo walk •	Optional: small flashlight or headlamp for adjusting settings in the dark

A laptop is not required for the post-processing segment. If you wish to follow along with editing, a laptop with Lightroom or Photoshop is welcome.

This workshop is designed for intermediate photographers who are comfortable shooting in manual mode and understand the basic relationship between ISO, aperture, and shutter speed. No prior night photography experience is required. If you have been shooting in auto or aperture-priority mode and want to take full control of your camera in challenging low-light situations, this workshop will give you the framework and the hands-on practice to do exactly that.

Upcoming Events

Street and Documentary Photography

NEON NOIR